Having had a little hand in putting on a few
festivals in my time I know just how much hard work, planning, money...more
hard work...blood, sweat and tears goes into them, not just on the day itself
but the many months beforehand too. So even before getting on site I was
stuffed full of admiration for the organisers of Snooky Fest for getting to
this stage.
Pretty soon it became clear they’d nailed it too,
from the lovely handpainted signs all on the way into the site through to the
mix of stalls, number of loos (oh so important for a festival), security and
sound (big up to the sound dudes who did a cracking job all day). Atmosphere’s
key at a festival and Snooky Fest just felt right from start to finish. In
between the crowd were treated to a wonderful mix of music from the main stage’s
opening act Brother Of The Walrus’s funk filled classics packed set right
through to Eventine’s brilliantly eclectic mix of covers climaxing – in true
festival style – with some fireworks.
There were many highlights but personal picks of the
bunch were Keir and Seven Cities, the first coming from Bristol the
second...well...apparently they’re from some place called Dawlish. Past single
Troubled Mind’s a blues rock belter with Muse-tastic guitar solos and enough
punch to make Royal Blood sound positively anaemic.
They’ve got a good half dozen equally strong songs up their sleeves too though and with Black Sabbath now seemingly on a permanent sabbatical I’d like to think that Seven Cities could soon be filling their stadium filled hole. A seriously impressive performance.
They’ve got a good half dozen equally strong songs up their sleeves too though and with Black Sabbath now seemingly on a permanent sabbatical I’d like to think that Seven Cities could soon be filling their stadium filled hole. A seriously impressive performance.
Equally strong but adding a touch of soul and even gospel
to the rock mix was Keir. Imagine if Freddie Mercury and Prince had got it on, the
resulting lovechild might well have sounded a little like this. Good grief he’s
good. Prowling the stage, raising his hand to the heavens and beating his chest
like a man possessed during set highlight Squeeze Me Keir’s already a star, trust
me, and once the rest of the world catches up you’ll be seeing him on the
Pyramid Stage at Glasto.
Other highlights? Oh go on then...deep breath...singer
sonwriter Cloudi’s cover of Lana Del Rey’s Blue Jeans, Datura’s sax-ual cover
of Horace Andy’s Skylarking, Wax Cylinders Reef-ish West Country rock, Ten Bob
Notes Socks and Sandals ska smasher, Sarah Yeo’s West Country meets West Coast Roadie,
Ollie Stephens giving Gregory Porter a run for his money on Don’t Lose Your
Steam, N.U.M.B’s marvellous mashing up of reggae, hip hop and dub, the punky, spunky
Bunny Boilers getting the kids united Sham 69 style, Vivid Vague bringing a
little Slits-ish attitude via self penned track Dolly and Eventine’s riotous Uptown
Funk. Thanks also to Ventons Cider for keeping us suitably refreshed (ahem)
throughout the day with some of the finest pints this side of, well, anywhere.
It would be remiss of me not to mention the whole
purpose of Snooky Fest and that’s to raise dosh for The Snooky Trust which
helps out people with physical illnesses between the ages of 18-40. We’ve not
been in Dawlish long but it’s clear they do some ruddy great work and hopefully
the profits from this year’s inaugural Snooky Fest will go on to help many more
people and – fingers firmly crossed – bring this wonderful heart warming, booty
shaking, good time vibe filled event back next year.
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