Originally a play, then a film and a sequel (apparently
a third instalment’s in development too) this new revival of East Is East dishes
up the dream pairing of its writer, Ayub Khan-Din (who you may remember from
appearances in My Beautiful Launderette and Sammy and Rosie Get Laid) with Jane
Horrocks (who you’ll definitely remember as Bubble from Ab Fab and Little Voice
from...er...Little Voice).
If you’ve somehow missed seeing the original film
over the years (frankly inexcusable) the action’s set in a mixed race household
in Salford in the early 70s and revolves around the marriage of George Khan (a
Pakistan born Muslim), his wife Ella (a British born Roman Catholic) and their
7 kids.
It’s a set up that’s ripe for sitcom-esque comedic moments, ranging
from the imminent circumcision of Sajit (ouch) through to the proposed arranged
marriages of two of George’s sons to some, ahem, less than lovely looking
brides. Act I goes for the laughs with George ranting and raving at his family
and the world he finds himself in like some kind of Pakistani version of Alf
Garnett. Act II has some much darker moments though and the physical violence
meted out by George on his wife and sons still packs a punch, literally, even
if you’ve seen the film or play before.
As you’d expect Khan-Din inhabits George’s skin
perfectly, eventually portraying an almost King Lear-like level of confusion,
hurt and anger that spills over into violence as his family adopts more Western
ways of dress and behaviour. Horrocks is a predictably safe pair of hands as
his wife Ella, standing by her man despite the abuse but more than standing her
own ground when it comes to defending her family and way of life.
Kudos to
Sally Bankes as Auntie Annie who nails the archetypal neighbourhood matriarch, coming
across as a kind of 70s White Dee, whilst the rest of the cast do a fine job of
winding George up in between portraying some of the inevitable conflict and confusion
caused as two radically different worlds collide in the turbulent 70s.
Music
plays a significant role in the production too, with quick bursts of Northern
Soul, pop and...er...the It’s a Knockout theme tune representing the West and
more traditional Asian music keeping the East flame alive, even if George’s
family take the piss out of it at times, most memorably in the amusing chip
shop scene. And the set’s well worth a mention with Designer Tim Scutt perfectly
capturing the cramped decaying Victorian squalor that many families still lived
in during the 60s and 70s. Of course many ended up in decaying and cramped tower
blocks whilst the middle classes moved in and renovated some of these Victorian
hovels but we’ll gloss over that for now.
One thing you can’t gloss over perhaps is that just
a week after the Charlie Hebdo attacks, for a thankfully small minority, the chasm
between East and West seems to be stronger than ever. Other reviews of this current
revival written by second or third generation British Asians have also pointed
out that the arranged marriage scenes can cause some uncomfortable silences as
audience members realise that this could still be their future. Then you’ve got
the fear peddling nonsense spouted on Fox News as a so called ‘Terrorist Expert’
labelled Birmingham a no go area for non Muslims and you find yourself thinking
that many of the themes explored in East Is East are sadly every bit as relevant
as they were back in the 70s. On a brighter note looking round at tonight’s audience though – mixed
enough to give an Equality and Diversity Officer a stiffie...albeit a non
threatening mutually inclusive stiffie – it’s clear that as a society we’ve come
a long way. And thank whichever God might happen to float your boat for that
eh? Take that Fox ‘News’.
Having debuted at The REP way back in 1996 it’s
great to see East Is East back in the City again and, if you ‘Khan’ grab a
ticket, this production’s well worth catching.
East
Is East is on at The New Alexandra Theatre until Saturday 17th
January - tickets here – before moving on to Richmond
and Manchester.
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