Did you know that the world’s going to end on 21st
December? Well, it is. At least according to some nutters who discovered an
ancient Mayan calendar that seemed to predict the end of days on 21st
December 2012. Still, save us all a fortune in Christmas presents won’t it eh?
We can all eat, drink and make merry for the next month or two as well, safe in
the knowledge that there’s no point in counting calories, units of alcohol or
bank balances. Ha! Take that life expectancy! Anyway, if nothing else it’s also
a pretty good excuse to get out to a few more gigs over planet earth’s remaining
weeks and this one was more than worth crawling off the sofa, waiting hours for
the number 11 bus and losing several extremities to frostbite for.
First up Jack The Lad. Okay, so the name might imply
some dreadful lumpen lad rock but happily our Jack (aka James O’Gorman) swiftly
reveals himself to be more of a sensitive dude with some honest inner city
tunes and a pleasingly soulful voice. Lyrically there’s a touch of Squeeze’s Chris
Difford in there (which is as close to pop perfection as you can get) and James’
easy going delivery and the rest of the band’s fluid backing added up to an
impressive opening set.
Marry Me When I’m 40 (one of the set’s highlights)
might mean something different to an 18 year old (as James is) as it does to
someone the wrong side of that particular ‘milestone’ but it’s a neat twist on
the old love song cliché. The Lad’s got talent.
Next up Don’t Move! a 60s beat group meets early 80s
Glasgow Postcard records scene combo sort of thing. Oh. They’ve got an
accordionist too. Yes...I know. Awesome. There’s a whole world of instruments
out there. Why does so much music rely on the holy trinity of bass, drums and
guitar eh? Break out the accordions people. And the oud for that matter. I want
to see more ouds. Er...anyway. Don’t Move! are an intriguing proposition and for
once I’m kind of stuck for neat pigeonholes to shove ‘em in or bands to liken them
to. That’s a good thing by the way.
There’s certainly some 60’s style grooves
going on there and the lead singer looks like he’s come straight from Carnaby
Street’s golden period, but elsewhere there are some jerky post punk rhythms, a
little prog noodling and the odd glorious accordion wig out. Whatever we’re to
make of it, it’s a trip...man.
Last up, seemingly deep frozen in a Detroit garage
in 1966 and defrosted for our listening pleasure, Hooded Fang. Their
irresistibly jangly Tosta Mista got plenty of spins on 6 Music a while back (although
I doubt whether it’s reached the ears of anyone else in the UK) and it’s a fine
indication of their overall vibe.
It’s instantly addictive stuff and within
seconds one particularly enthusiastic member of the audience was jiving all
over the place, something he continued to do for the entire show like a man
possessed. It’s possibly the most energetic performance by an audience member
ever witnessed, which is either down to the Fang’s winning ability to crack out
one garage rock banger after another or a particularly good batch of speed
going around the streets of Kings Heath. I’d like to think it’s a little of
both. Pretty much every single track sounded like a crate dug classic but the irresistible
pairing of Tosta Mista and the surftastic Vocationation took things to a whole
new level. Five minutes of pure 100% garage
rock perfection. Fangs for the memory.
I looked here when I needed a hearing aid repair.
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